Ruh
One of the most recognisable motifs of Mughal
design, the cypress is said to be the symbol of Jannat and eternal life. The
Zoroastrians believed that trees represented immortality, and in fact, their
word for tree and immortality was the same. Over time this idea came to be
absorbed by Persian culture. The Mughals looked to Persia as their role model
for culture, art, and craft, so with them, the tree made its way into India.
The cypress inspired all - art, architecture, carpets, tiles, and even poetry.
and stately cypress trees were used in mughal gardens and especially in the
classical charbagh.
In its most resplendent form, the stately
Cypress can be found in most Mughal gardens and especially in the classical
Charbagh (a garden of flowers and ponds) along with fruit-bearing trees and
flowering shrubs. The best examples of this are in the magnificent Mughal
gardens in Kashmir, conceived to replicate paradise on earth. These spectacular
ornamental gardens are laid as a quadrilateral grid with long brick walkways
and fountains placed in pools, along with a profusion of Cypress, fruit trees,
and flowering plants.
Geometry is the basis of all Islamic art,
architecture, and design. Incredible complex intricate patterns are created in
woodwork, ceramics, stonework, textiles, and carpets and enclosed within
delicate borders. The design vocabulary of the borders stem from the basic
geometric grid of arabesque design and brings out the spiritual connotations
associated with Persian garden motifs. These borders are mughal versions of s
chevron, they represent a rhythmic linear pattern which almost has a meditative
appeal.
The borders can be used in combination with any of the
other patterned tiles or even on their own, both on the floor and the wall as a
bold skirting.
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